Jeremiah Watkins (Volume 9)

May 3, 2026

Photo Credit

Matt Misisco

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SPECIAL EVENT

2026 Moontower Comedy Festival Series

The 2026 Moon­tow­er Com­e­dy Fes­ti­val is bless­ing us with 2 weeks of com­e­dy, live pod­casts, and after par­ties. We’re bring­ing you our favorite con­ver­sa­tions lead­ing up to and dur­ing this year’s fes­ti­val. Enjoy!

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Jere­mi­ah Watkins is back for Vol­ume Nine, and some­how he’s busier, fun­nier, and more ambi­tious than ever — which is real­ly say­ing some­thing. From a pon­toon par­ty cruise with top­less fans to a life-chang­ing deal that evap­o­rat­ed overnight, this episode has all the highs, lows, and wild detours you’d expect from a guy who refus­es to stand still. If intri­cate” is his word for the year, con­sid­er this con­ver­sa­tion the proof of concept.

An Infinite Bucket of Darts

Nine volumes in, and Jeremiah Watkins is somehow still surprising us. When we sat down with him in the lounge of the Steven F. Austin Hotel during Moontower 2026, he had just come off a week of sets — including one where he barely made it inside before the show started because, as we already know about him, pre-show Jeremiah is not available for socializing. "I'm real weird about going near the audience until the show has begun," he explained, completely unapologetically, which is very on-brand. The man knows himself.

What he's been up to since we last checked in is, predictably, a lot. Red Fuzzy Rug — the animated preschool show he's developing with his wife Maja — is still in the works, navigating the genuinely brutal landscape of selling to networks. The Trailer Tales podcast is thriving, with co-hosts Chelsea Lynn and Libbie Higgins respectively holding down sold-out shows at the Comedy Store and in Vegas while Jeremiah was in Austin. And Stand Up on the Spot keeps building toward its goal of becoming a touring brand that can walk into any city and sell tickets on the name alone.

But the newest thing — the one that lit him up to talk about — is a Trailer Tales feature film he wants to write and direct himself. "That's the next goal for me," he said, with the easy confidence of someone who's been quietly stacking skills for years. He's directed shorts, sketches, music videos, even specials — but a feature is a different mountain, and he's clearly ready to start climbing it.

It’s more about con­sis­ten­cy and vol­ume — it’s like, you get a bet­ter sense of just throw­ing more darts than hold­ing on to one dart for a real­ly long time.
Jeremiah Watkins
The Guy Who Shows Up (And Then Leaves the Audience Alone)

If you've seen Jeremiah headline, you already know the crowd work is not a bit — it's a whole philosophy. But what's interesting is how deliberately he deploys it. When we reflect on his headlining run in San Antonio at The Riot River Walk (a show I happily traveled south for last December) — the show with the bedazzled jeans guy and the wild south-of-the-border story — it wasn't random. He made a call. "I sensed a wild energy about the different people in that crowd," he said. "And I was like, I'm gonna mine this."

That instinct is what separates him from comics who lean on crowd work as a crutch. His upcoming special, Crazy Pizza — already shot, already edited — is the deliberate counterpoint. Zero crowd work, no audience cutaways, just Jeremiah and the material. A statement piece.

Jeremiah's has always been a team player and he knows that his success as a headliner often means finding the perfect partner to open for him. He's been taking Austin local Joey Smith with him as a featured act, mentoring in that quiet way where you don't quite realize it's mentorship until someone gets real about it. The bigger portrait here is someone who has learned to read the room — not just on stage, but in the industry. When we asked about whether comics resent having to be their own marketing teams, agents, and editors, he didn't sugarcoat it. "Nobody likes that they have to be their own team anymore," he said. But he also made clear the alternative is worse: staying funny in a vacuum while the world moves on without you.

You either adapt or you don’t progress. There’s some real­ly fun­ny peo­ple that are refus­ing to adapt, and they’re not progressing.
Jeremiah Watkins
More Dessert

We ended our annual conversation this year with a question about the hard stuff he's faced this past year. Jeremiah shared something genuinely heavy and personal — the loss of his friend and fellow comedian Alex Duong, a Comedy Store regular, Roast Battle champion, and fellow young dad whose daughter and Jeremiah's sons had grown up in the same orbit. He watched the memorial over Zoom, alone, because he was here at Moontower. "He's somebody who I love very much, not only as a comedian, but as a person," he said quietly. The comedy community showed up for Alex's family in a big way, and someone at the memorial said something that stuck: his daughter had just inherited a whole lot of aunts and uncles.

Not long after that, a distribution deal for Crazy Pizza — described as "a life-changing amount of money" — collapsed when the HBO/Netflix merger killed it before it could close. Two brutal things in one year. But Jeremiah, being Jeremiah, doesn't linger in the loss. "It's a bummer, but I didn't have it before," he said. "My life is still good."

We closed, as we always do, with his one-word vision for the future. This year: intricate. Which, honestly, fits. There are animated shows in development, a feature film on the horizon, his first Australian tour dates, and the Crazy Pizza comedy special on the way. Volume nine is in the books. We'll see him at ten. That's a promise.

I’m very con­tent and very hap­py with how life is right now. It’ll be more dessert. I already have a lot of dessert — I’m very grate­ful for all the dessert that I have.
Jeremiah Watkins

Fol­low Jeremiah

Jere­mi­ah can be seen and heard:

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Jeremiah Watkins